Yes, this is another National Novel Writing Month Prep Post.
Because techniques I learned and advice I heeded in my Nano years translated well into my freelance work life.
Yes, Nano is fun and a great playground to stretch into types of writing you don’t usually try.
But can build skills.
Here are the best techniques that transfer well from Nano into professional work.
Write (Almost) Every Day
Nano’s goal is 50K in 30 days, which breaks down to 1667 words/day.
Generally, I wrote a full chapter a day, of about 10 pages or 2500 words. Unlike many people, who find it useful to end in the middle of a thought, I like to work in completed chapters.
But Nano got me into the habit of working on what I now call my “primary project” (whatever I’m drafting), first thing in the morning, when I am at my most creative.
“Morning pages” don’t work for me. But working on the creative project in draft first thing does.
This has translated well into the rest of my writing life. As Carolyn See advised in her book, MAKING A LITERARY LIFE: “1000 words a day, five days a week, for the rest of your life.”
As a professional writer, I now have to write a great deal more than that on most days, but the 1K/day on my primary project works well.
Choose the Days You’re Not Going To Write
People huff and puff that “write every day” is not realistic.
It is if you’re a pro.
But that doesn’t mean you never take a break, a day off, a vacation, a sabbatical.
The difference is that you plan them. You choose to take however many days off per week or per month.
Then you do it.
I created a handout/download called “30 Tips for 30 Days” from the motivational emails I used to send out to the writers I mentored every morning. I’ll probably post it again this November. Within that, I built days off.
The second part of that means you adjust your daily word count to cover the days off. If it’s 1K/day for 5 days a week, but then you take a week’s vacation, you up your word count for THE MONTH before your vacation to absorb the words you won’t write (or will write on something else) on your time off.
Do it BEFORE you leave, because you won’t catch up if you just let it slide.
If you choose time off and then enjoy it, rather than just letting the writing slide and “not getting around to it” you will be more productive at the desk AND more productive the rest of your day, because you don’t have the “I should be writing” guilt hanging over you.
What if life gets in the way? Unexpected illness or an accident or whatever?
Deal with your life. Adjust the writing.
I find that sticking to the writing during a crisis helps me survive and cope with it better. It gives me a break from the stress and allows me to drop into my fictional world, even if only for a couple of hours here and there.
When, for whatever reason, I can’t do that, I decide how many days I can afford (on both financial and emotional levels) to be away from the writing, and I adjust the word counts around it.
I live on deadline. If I expect to keep and grow my career, I have to meet those deadlines, even while life is happening.
Instead of procrastinating, work ahead of your daily goal, especially at the top of the month.
That translates well to so doing at the top of any project.
The first flush of enthusiasm on a new project is great. Get as much down as fast as you can early on. That way, if and when obstacles come up, you’re both ahead of the game, and you don’t forget what you meant to say but didn’t write down anywhere.
Translate that to getting ahead on any project you do, and you’ll find less scrambling near deadline, unless your client is the one dragging his feet and creating obstacles (and you’ve planned contingencies in your contract. Right? RIGHT????).
Finish What You Start
This is one of the most important things I learned during Nano, although so many people lose heart and motivation during Nano and give up.
Unfinished projects drain creative energy.
The more unfinished projects you have hanging around, the harder it is to creatively breathe. The harder it is to see ANY project through.
When you rely on creative work to keep a roof over your head, you have to be ruthless about cutting out obstacles to that creative work.
Finish what you start. Then put it away for a few days, a few weeks, a few months (if it’s on someone else’s deadline, that timeline may need adjustment).
Once you can look at it objectively, decide if you want to retire it, put it in stasis, or continue work on it. Then set a schedule and deadlines and get to work.
I teach an entire course on this, THE GRAVEYARD OF ABANDONED PROJECTS, and the workbook is available here.
I developed these techniques by finding out what worked for me within the Nano structure, then applying it to my other creative work, and making the necessary adjustments to streamline and strengthen the process.
This year, the traditional Nano structure and schedule does not work for me, which is why I created the Women Write Change forum. I may go back to Nano at some point in the future. But even if I don’t, I am grateful for what I learned there, for the camaraderie, and for the chance to focus intensely on a project for a month.
What are your experiences? If you’ve participated in Nano, what has or has not worked for you? Have you been able to translate any of it to the rest of your writing life? If you’ve never done it, have you been tempted? Why did you choose not to?
I’m genuinely interested in your answers.